Artist Textiles at New Lanark

Horrockses Fashions c1949

Horrockses Fashions epitomised the traditional cotton summer frock in the 1940s and 50s. They were considered affordable, but were also worn by celebrities including the Queen, Princess Margaret and Margot Fonteyn, and the fabric was often designed by well-known artists. The dress on the left uses fabric by Alastair Morton and the other two are by Graham Sutherland.

Aztec by Patrick Heron 1946

The dresses and fabrics in this post are part of the exhibition Artist Textiles: Picasso to Warhol which began life at the Fashion and Textile Museum in London in 2014. Since then, it has been to the Netherlands, the USA and Canada, and now it has arrived in Scotland where you can see it at New Lanark until 29th April. Follow the link for details – I highly recommend it. Three things amazed me – how many of the artists I had never associated with textiles, how different their designs were to their other work, and how many of the garments could be worn today without looking out of place. See what you think!

Henry Moore

Salvador Dalí

Pablo Picasso

Joan Miró

Andy Warhol

A final selection

As with all the images, clicking to enlarge will reveal artist, title and date.

Do you have a favourite? Let me know in the comments. I would love to have that very first dress by Alastair Morton – and the waistline to carry it off!

Perthshire Open Studios, 3-11 September 2011

I had never heard of Perthshire Open Studios until this year when we received an invitation from one of the participants, but it has been going for 4 years. It’s a lovely idea – just as it sounds, local artists open up their studios to visitors – and the website and brochure are really well produced. You can search for specific artists or type of art or you can follow one of six colour-coded routes.

Christine Ironside, an old friend from Glasgow who moved to Mid Tullybannocher near Comrie a few years ago, is number 69 on the Plum Route. The drive over was lovely, once we left the A9. The B827 from Braco to Comrie rises along the side of a beautiful valley and the hills looked amazing – what a place to live. Christine’s instructions were to park at the Tullybannocher Cafe so we thought it was only polite to have lunch there:

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It was well worth a stop with the best display of home-baking I’ve seen for a long time. John succumbed to a slice of Victoria sponge but I stopped after my mezzaluna, a sort of folded flatbread which was absolutely delicious.

It was great to see Christine and her partner, Bas, again and good to see the studio busy with lots of people flitting in and out – a couple of cyclists were on their eighth studio – and many paintings already marked with red dots. The studio is in the former byre of the cottage which is surrounded by a large garden with the River Earn running just below it.

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I always have fantasies about living in a place like this but the city girl in me wins out every time!

Anyway, we stayed so long we didn’t have time to visit anywhere else. Did we buy a painting? Yes, we did – time for a rehang at home!

The last open studios event we went to was in the Briggait in Glasgow where there are many artists working under the same roof, so this was quite different. The combination of art and nature in Perthshire is irresistible and there are still several days to take advantage of it. Perhaps another time we’ll manage to visit more than one artist.