Artist Textiles at New Lanark

Horrockses Fashions c1949

Horrockses Fashions epitomised the traditional cotton summer frock in the 1940s and 50s. They were considered affordable, but were also worn by celebrities including the Queen, Princess Margaret and Margot Fonteyn, and the fabric was often designed by well-known artists. The dress on the left uses fabric by Alastair Morton and the other two are by Graham Sutherland.

Aztec by Patrick Heron 1946

The dresses and fabrics in this post are part of the exhibition Artist Textiles: Picasso to Warhol which began life at the Fashion and Textile Museum in London in 2014. Since then, it has been to the Netherlands, the USA and Canada, and now it has arrived in Scotland where you can see it at New Lanark until 29th April. Follow the link for details – I highly recommend it. Three things amazed me – how many of the artists I had never associated with textiles, how different their designs were to their other work, and how many of the garments could be worn today without looking out of place. See what you think!

Henry Moore

Salvador Dalí

Pablo Picasso

Joan Miró

Andy Warhol

A final selection

As with all the images, clicking to enlarge will reveal artist, title and date.

Do you have a favourite? Let me know in the comments. I would love to have that very first dress by Alastair Morton – and the waistline to carry it off!

Costumes and quilts at Dalgarven Mill

Something seemed to go wrong with the weather settings over Scotland this Easter – yes, four days of sunshine. Unheard of for a holiday weekend! We made the most of it to get out and about, and on Saturday visited Dalgarven Mill in Ayrshire which had been recommended to me as a good place to go. We weren’t disappointed, although given that its title is Museum of Ayrshire Country Life and Costume, I was expecting something larger and more “official”. What we found was much better – a little gem.

There has been a mill on this site since 1203, with the current buildings dating from the 19th century – the water wheel has been restored and still turns. Until recently Dalgarven was family owned – it has now been passed to a trust, but the family still runs it and we met three generations on our visit. The granaries have three floors of exhibits with artefacts from rural trades of the past, room settings and a magnificent costume collection (most of which is in storage – Victorian costumes are currently on display.) I liked the informality of the information, telling us how items were obtained. For example, a knife grinder was purchased at auction and then, as is often the way of things, another was donated shortly afterwards. The kitchen cabinet in the pictures below belonged to an old lady who was so wedded to it, when she moved to modern accommodation she made her family rip out the fitted kitchen and install the cabinet instead. There was also a temporary exhibition of beautiful quilts by Rosalie Furlong and, last but not least, a café. I had looked into other places to eat (there’s a hotel just down the road) because museum catering is not always great, but this was amazing; freshly cooked – and home baking to die for! You will note that didn’t last long enough to make it into the pictures.

Carrying on beyond the mill, a single track road with passing places takes you to the Blair Estate. This is private, so leave your car outside – however, walkers are welcome and it’s well worth a stroll round the grounds.

Finally, we took the long way home, dropping down to the coast for a walk on part of the Ayrshire Coastal Path at Portencross. We were just too late to get into the castle, but enjoyed the views in the late afternoon sunshine.